Preparing A Good Set List

Performing live is an experience that can be totally unique each time. But I think the most challenging part for almost every band is keeping the audience interested.

I’d like to share one aspect I learned in delivering a good show in the years that I’ve played in a band - and that is how to prepare a good set list. For the sake of this article, I’ll present it in three chronological parts.

1) Launch your set with a song that allows the audience to forget about the artist that played before you.

The first song in your set list must create that first impression. Wearing fancy wardrobes and cool shirts may not be enough. Your vocalist’s good enunciation and grammar may not be enough.

Play a kick off number that breathes a powerful intro – something that should catch everyone’s attention. When you get there, keep it that way.

Some pros do this with a fast groove as a start up number. Others do the soundcheck approach – playing a chord progression over and over until all members are musically in place (volume, tone, balance, etc.).

Don’t rely too much on gimmicks. They can be superficial.

If your band plans to stage one, it's better to do it in the middle of your set. An audience’s attention span is short so always remember to start with a catchy intro.

Believe me, you don’t want to waste that moment.

2) In the middle of a set, never fail to communicate with the crowd.

Let’s assume your band has agreed to perform a 30 minute set (that’s about 6 songs). After the first two to three songs, the momentum usually starts to decline.

At this point, it should be the vocalist’s job to bring your fans’ attention back up to a perky level by talking to them. In other words, don’t be a snob.

The “celebrity” attitude and the rock-and-roll-image may help you get somewhere (superficially perhaps) but it is important to remember that the very reason songs are written is because we try to satiate our need to communicate.

It is also important to remember to never think that you’re smarter than the audience. To communicate means to "speak the language" that your listener speaks.

Be extra friendly to your fans.

Try not to be too much of an artist when you’re in between songs (and not playing). Be a person to them. Just because you’re on stage doesn’t make you any better than anyone. Your fans are people and should be your friends too.

3) Your finale song should be something that leaves a mark for your band and your music.

While the first song is the scene stealer, the last should be the memory maker. Your last song must be distinct enough to qualify for the LSS (last song syndrome) contest.

Play something that you think people can dance to, sing with, or talk about on their way home. I know this is not easy but it’s not impossible either. If your band has a well received single that's currently enjoying airplay, you may use this as your finale piece.

So there… the three basics to consider when drafting your set list for the gig. Play as if it’s your last gig (but don’t overdo it). Don’t get too drunk when you play (and if it helps, don’t get drunk at all).

The goal is to keep your band stuck in your audience’s minds (hopefully in their hearts too). But most importantly - never leave your audience wanting less, a mantra I borrowed from the Foo Fighters’ David Grohl.